With Carnival 2005 fast approaching, a potential showdown is brewing between rivals T-Vice and Djakout Mizik. In a recent conversation with T-Vice’s Roberto Martino, he hinted that Djakout’s Paris incident might become fodder for their Carnival lyrics. But can T-Vice successfully pull this off without stirring controversy?

The backstory: During a recent trip to Paris, Djakout Mizik, along with Konpa Kreyol and Mass Compas, faced significant challenges when they were reportedly stranded for a few days due to issues with a Haitian promoter. The ordeal was a major setback, and tensions remain high regarding the incident.

Given the ongoing rivalry between T-Vice and Djakout, especially during Carnival, Roberto Martino’s suggestion of incorporating the Paris debacle into their 2005 Carnival lyrics has raised eyebrows. While Carnival traditionally allows for playful jabs and humor, some believe this topic might be too sensitive to address.

A key question remains: Can T-Vice turn this unfortunate event into a clever lyrical jab at Djakout without offending the other bands involved or the fans who view the incident as off-limits?

One insider expressed concern, saying, “There are certain topics that should be off-limits. I hope T-Vice understands that this is one of them. I’m sure they wouldn’t appreciate others making fun of them if they had been through the same situation.”

However, another source countered, “This is Carnival—anything goes. Nobody was hurt, and everyone made it back safe. Why shouldn’t T-Vice do a Carnival song about it? If the roles were reversed, Djakout wouldn’t hesitate to do the same. It’s all part of the fun.”

As the competition heats up, the question remains: Will T-Vice move forward with their plan to address Djakout’s Paris misfortune in their Carnival performance, or will they decide that this sensitive topic is best left untouched?

Only time will tell if T-Vice chooses to proceed with this bold move or opt for a different approach to keep the peace within the Haitian Music Industry (HMI).

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