We had the opportunity to speak with Zin maestro Alex “Bad Boy” Abellard about Princess Georgy’s recent performance with Hangout in New York, which included her rendition of the controversial song “911.” Known for their shared history, many were curious to hear Alex’s thoughts on her performance, especially since the event has sparked new interest in Georgy’s career.
Performance Evaluation:
When asked about her vocal performance, Abellard acknowledged Georgy’s talent but expressed concerns about her stage presence.
“I thought her voice was very good as usual,” Alex said. “However, I think she needs to hit the gym because it was holding her back on that stage.”
Impact of the Performance:
Despite his critique, Abellard admitted that Georgy’s presence on stage had a significant impact.
“Of course, she had a big impact,” he continued. “Even if she performed poorly, she would have still made an impact because people in New York were craving her. I’ve seen her perform better, but like I said before, because of her weight, she couldn’t move on stage like she used to.”
Did Her Performance Revive Her Career?
When asked whether this performance could revive Georgy’s career, Alex was less optimistic.
“Her performance attracted attention,” he said. “But she’ll need more than that to truly revive her career. She has to become a different person, and I don’t know if she’s capable of that at this stage. Before this performance, everything surrounding her was negative, whether it was her clothing or other issues. The reality is, the most positive news she’s had in a while was because of that night—and of course, ALABEL (his nickname) was involved,” he joked. “Look at the flyers and commercials we did for the event.”
Marketing Georgy as the Focal Point:
Alex explained why Georgy was prominently featured in the event’s marketing efforts.
“The credit for the night goes to Hangout because now everyone knows they can rock the place. I used Georgy for marketing purposes because she was one of their best assets at the time. She was a useful marketing ploy for the group.”
Relationship with Georgy:
When asked whether he had spoken to Georgy at the event, Alex was direct in his response.
“I did not speak to her because I have nothing to say to her,” he explained. “She did everything to undermine my reputation, so I have no reason to talk to her. I’m dealing with the band she’s involved with, but I don’t intend to interact with her.”
It’s clear that while Alex acknowledges Georgy’s performance and the impact she had, there’s still tension between the two. Whether this marks a turning point in Georgy’s career or simply a moment of attention remains to be seen, but one thing is certain: their shared history continues to influence how both artists navigate the Haitian music scene.
