The Haitian Music Industry (HMI) ushers in each new year with the emergence of fresh bands, continuing a longstanding tradition. As 2008 unfolds, numerous bands formed by ex-members of previously popular groups are set to make their debut. Notable among these are Tempo, comprised of former members of 718; 5 Etwal, with alumni from Gabel & System band; Harmonik, which includes former talents from Zenglen, K-dans, and Krezi; and Bel Jazz, formed by ex-members of Hangout among others. Currently, Harmonik is showing the most promise with two grand premieres and a recently released album.
The HMI also sees its share of musicians switching bands, with some joining established groups and others, less fortunate, finding themselves ousted. Elie Lapointe discovered through the internet that he was no longer part of Djakout, a revelation that came after a telling incident at his last gig where his mic stand was removed. Delices left a Krezi rehearsal and swiftly moved to Djakout Mizik, while Dano switched from Zenglen to Gabel, motivated by better compensation.
The Haiti Carnival early in February saw RAM making a significant impact in their first carnival participation, while Djakout, despite challenges, managed to claim first place—though there were murmurs that T-Vice deserved the win. The carnival was not without controversy; notable figures like Eddy Francois expressed frustration over being excluded from participation.
In more somber news, Claude Marcelin narrowly escaped a kidnapping attempt, highlighting the serious security concerns in Haiti. Fortunately, he survived and is reportedly doing well.
Celebrations marked significant milestones with Tabou Combo celebrating their 40th anniversary and Emeline Michel her 20th. Both acts continue to thrive and contribute richly to the cultural tapestry of Haitian music.
The article concludes with updates from various bands and artists. Among them, Shoubou clarified Danny Lebeau’s position with Tabou, while discussions around the unsung heroes of Djakout Mizik and fans’ loyalty surfaced. Disappointment was voiced by Pouchon and Shaba due to restrictions on performances, while intrigue continues with the political maneuverings and professional shifts within the industry, highlighting the dynamic and often tumultuous nature of the HMI.
