Artist: Ekip
Album: Makiye Mizè W
Release Date: January 8, 2024
Label: B.E. RELATIONS PUBLISHING
Producer: Various
Genre: Compas Direct
Three years after their critically acclaimed debut, Haitian band Ekip has returned with their sophomore studio album, “Makiye Mizè W”. The album, released on January 8, 2024, spans 16 tracks that showcase the vocal talents of lead singers D-Perfect, Steeve Khe, and Shabba, alongside notable collaborations with artists like Bedjine, Leroy Beat, Kenny Haiti, Baky, and Domec Brusly.
Title Track: Makiye Mizè W
The album opens with its namesake, “Makiye Mizè W,” a compelling track that translates to “mask your problems so people won’t use them to judge you.” This track explores social perceptions and personal privacy. Despite some reservations about the message’s implications, the production quality is undeniable, imbued with the rich textures of traditional Compas Direct, making it a robust opener.
Domi nan Telefon
“Domi nan Telefon” or “Sleeping on the Phone” captures the quintessential early romance experience with its charming portrayal of endless late-night conversations. The song’s strength lies in its simplicity, resonating with anyone who’s found themselves whispering into the phone in the wee hours. The production, handled by James Regne and the three founding members of Ekip, maintains a light, airy feel that complements the lyrical content beautifully.
Separasyon (feat. Bedjine)
One of the early standouts of the album, “Separasyon,” features the stellar vocal contributions of Bedjine. The track begins with a dramatic, symphonic introduction that sets the stage for a powerful exploration of endings and emotional departures. Bedjine’s involvement elevates the track, confirming her Midas touch in the industry—her performance here is both poignant and impactful. While a lot of people have made the statement that the song should have been sung by Bedjine and D-Perfect or Steeve Khe instead of Shabba, non of them can deny the song was bound for great success regardless.
Sa n poko wè ankò (What Haven’t We Seen)
“Sa n poko wè ankò,” sung by Steeve Khe, is a reflective piece that addresses the ongoing challenges in Haiti. It’s a song of hope and a call to action, invoking the divine and ancestral spirits for guidance and intervention. Steeve Khe’s delivery is particularly moving, blending a deep sense of urgency with a call for communal resilience.
Minote’m
Sung by D-Perfect and Shabba, “Minote’m” is a poignant admission of personal failings within a relationship. The candidness of the lyrics and the raw vocal delivery make this track stand out as a genuine confession, a refreshing take in a genre where such vulnerability is rare.
Voilà le problème de ce pays – another patriotic tune calling for change in Haiti. The band urges its fans to shed light on Haiti’s current conditions to help address the issues. All hands need to be on deck because we’re all concerned.
I’m Jealous
This track explores the darker contours of love with D-Perfect voicing overtones of extreme possessiveness. Despite its intensity, “I’m Jealous” resonates with listeners, quickly becoming a fan favorite and suggesting that a touch of jealousy does find its place in the dynamics of love.
Viktim
Steeve Khe shines on “Viktim,” a song that articulates the pain of unacknowledged wrongdoing in a relationship. His powerful vocals convey the deep hurt and frustration of being wronged by a loved one, adding a poignant layer to the album’s exploration of heartbreak.
Sal Rad
Initially a track that might be skipped, “Sal Rad” grows on you. Shabba takes the lead, and the song’s infectious energy is undeniable, especially when experienced in a live setting, proving that sometimes, the club truly is the best place to appreciate certain tracks.
Asi Fue
“Asia Fue” sees Steeve Khe covering the classic hit by Juan Gabriel, interpreting it with a depth that showcases his versatility and command over the genre. This track not only pays homage to the original but also secures its place as a memorable rendition in Ekip’s discography.
Dwat Nan Lari A (feat. Kenny Haiti)
In “Dwat Nan Lari A,” D-Perfect and Kenny Haiti come together to discuss the exhaustion of repeated heartbreaks, declaring it might be time to give up on love. The collaboration is dynamic, resonating with anyone who’s felt the despair of unreciprocated affection.
Remet mwen sa
This track is a vibrant fusion of rara and Afro-beats, perfectly crafted for the dance floor. Its energetic beats and rhythmic complexity are sure to make it a favorite in clubs.
Bèl Ti Fi (feat. Leroy Beat)
Perhaps the hidden gem of the album, “Bèl Ti Fi” is an empowering anthem for young women, beautifully performed by Steeve Khe and produced by the extraordinary James Regne. It’s uplifting, motivational, and a must-listen for its inspiring message.
Fe Koze
Returning to his roots, “Fe Koze” features Hervé “Shabba” Antenor revisiting the vocal style that first made him a beloved figure in the genre. This track confirms that Shabba’s efforts to refine his vocal skills have indeed paid off, adding another layer of artistry to the album.
Please
D-Perfect uses his exceptional voice to embody the essence of Compas Direct infused with R&B in “Please.” This track is a heartfelt plea for reconciliation, capturing the anguish of waiting for a call that never comes.
Bouyi Medley
A showcase of the band’s collective talent, “Bouyi Medley” features all the lead singers in a vibrant display of their diverse skills. It’s a danceable medley that celebrates the band’s unity and musical range.
Overall Impression
“Makiye Mizè W” is a testament to Ekip’s evolving artistry and their ability to tackle both personal and societal issues with musical prowess. The album mixes traditional Haitian sounds with modern influences, creating a tapestry of tunes that are both reflective and celebratory.
Each track is meticulously crafted, displaying not only the musical diversity of Ekip but also their deep-rooted connection to Haitian culture and contemporary global sounds. The collaborations are well-chosen, enhancing the album’s appeal without overshadowing the core elements that make Ekip unique.
In conclusion, Ekip’s “Makiye Mizè W” is more than just music; it’s a cultural statement. With this release, Ekip not only cements their place in the music world but also challenges their listeners to engage deeply with the content, making it a significant contribution to the landscape of 2024 music releases.
