INFORMATION
| Artist Birtday : | 15/07/1947(Age 78) |
| Born In : | Port-de-Paix, Haiti/ New York City |
| Occupation(s) : | Singer |
| Genres : | Compas Direct |
| Agent : | Tabou Combo |
Legendary vocalist Roger M. Eugène, known to the world as Shoubou, stands as a pillar of Haitian Konpa music and culture. Born on July 15, 1947, in Port-de-Paix, Haiti, Shoubou’s illustrious career has spanned more than five decades, defined by his electrifying stage presence, unmatched vocal talent, and relentless dedication to preserving and elevating Haitian music on the global stage.
Raised in a family deeply rooted in the arts, Shoubou’s early life in Port-de-Paix was steeped in creativity. He completed his primary education at Les Frères de l’Instruction Chrétienne and later attended Collège Notre Dame de Lourdes for his secondary studies. Despite initial resistance from his father, Shoubou’s passion for music and theater was evident. His early influences included Haitian musical legends Gérard Dupervil and Guy Durosier, as well as international icons like Ray Charles.
Shoubou began his musical journey performing in local bands, including Trémolo, alongside Jean Théagène and Edouard Férrier. He later joined La Perle Des Antilles and Les Fantaisistes de Port-de-Paix, both pivotal in shaping his career. In addition to music, Shoubou pursued his love for drama, studying under Dr. Cauvin Paul Ph.D., author of acclaimed works such as La Belle Eurydice.
Shoubou’s life took a transformative turn when he relocated to Pétion-Ville, where he joined Los Incognitos, a budding band that would later be rebranded as Tabou Combo in 1969. His dynamic stage presence and magnetic personality quickly made him the face of the group. One of the first songs he performed with Tabou Combo, Rosy, though never officially recorded, became a fan favorite and earned him the nickname “Shoubou,” which became his iconic stage name.
Tabou Combo’s early years were not without challenges. In 1970, the band faced a significant setback when its leader, Albert Chancy, left for Canada. However, the group reformed in New York under the leadership of Shoubou, Jean-Claude Jean, and Yvon André (Kapi). With perseverance and hard work, Tabou Combo made a triumphant return to the music scene in 1971, captivating audiences with their innovative approach to Konpa.
The 1970s marked a golden era for Tabou Combo and Shoubou. With hits like New York City, The Masters, and Inflation, the band gained international acclaim, performing across Europe, Africa, the Caribbean, and the Americas. Shoubou’s voice became the unmistakable hallmark of Tabou Combo, resonating through their numerous albums and live performances.
Shoubou’s artistry extended beyond Tabou Combo. In 1998, he collaborated with the Afro-Cuban group Africando on the album Baloba, contributing his vocals to tracks like Katiana and La Vie en Rose. He continued his association with Africando, recording songs such as Tiembella and Gwog Mwen in subsequent years.
Shoubou’s influence goes beyond his vocal prowess. As a key figure in Tabou Combo, he took on managerial roles, helping to navigate the band through challenges and ensuring its longevity. His efforts have solidified Tabou Combo as one of Haiti’s most iconic musical institutions, celebrated for blending traditional Konpa rhythms with global influences.
Throughout his career, Shoubou has been a cultural ambassador, bringing Haitian music to prestigious stages worldwide. His collaborations with artists like Africando and his participation in tributes to Haitian legends such as Guy Durosier have further cemented his legacy.
Now in his seventies, Shoubou remains a beloved figure in Haitian music. Though he has contemplated retirement, his contributions to Tabou Combo and Haitian culture endure. His legacy is marked by resilience, passion, and an unwavering commitment to his craft. As fans reflect on his remarkable journey, the question remains: What will Tabou Combo be without Shoubou, and what will Shoubou be without Tabou Combo? Only time will tell, but one thing is certain—his impact on Haitian music is indelible.
