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Music News

Event Review: A Rainy Night with Phantoms – A Mesmerizing Performance

OpastaffBy OpastaffJune 2, 20062 Mins Read

On a rainy Thursday night, I made my way to Phantoms’ rehearsal at their usual spot on Flatbush Ave in Brooklyn. Attending a Phantoms’ rehearsal is always an unpredictable experience, filled with unexpected performances and a vibrant atmosphere. That night was no exception. Members like Medina, Cloolie, Clinton, Cassandra, and Kino, along with guest artists Rated R and Bono, formerly of NYAS, were present, creating a dynamic session that drew a crowd eager for entertainment or simply curious about what Phantoms would bring to their upcoming performance.

Come Friday, June 2nd, despite the relentless rain, Phantoms delivered an unforgettable show. The steadfast fans of Konpa and Phantoms, undeterred by the weather, repeated “it’s only water,” showcasing their dedication. I arrived around 1:30 AM to find a cabaret show in full swing. The setting was meticulously arranged, with impressive lighting and dancers who captivated the audience, setting a high standard for the night.

Phantoms took the stage and truly lit up the night. Their name, suggesting an elusive presence, belies the palpable energy and unity they bring to their performances. They demonstrated a remarkable cohesion on stage, affirming their status not just as a band but as a formidable ensemble.

Unfortunately, the persistent rain seemed to dampen the potential reach of the event. Even so, the turnout was commendable, and the audience’s satisfaction was evident. Although the weather also prevented member Sharon from joining—due to an accident earlier in the day—the band played on. Their resilience shone through as they kicked off their set with “DANGER,” followed by a series of powerful performances. Cassandra, Medina, Rated R, and Clinton handled “DANGER” with aplomb. Bono delivered a beautiful rendition of the Phantoms classic “Romeo et Juliet (Ki sa ki Lanmou).” Tantan energized the crowd with his “Pam Pam Pam,” while Coolie and Medina gave a compelling performance of “I Want You Back.” The evening concluded with the King performing alongside some of the Cabaret dancers.

The night ended on a high note, with an atmosphere charged with excitement and satisfaction. This event was not just a concert but a sophisticated elevation of the Haitian Music Industry (HMI), demonstrating Phantoms’ commitment to pushing the boundaries of music and performance with elegance and style. The evening was a testament to their innovative spirit and their ability to enchant an audience, rain or shine.

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Opastaff

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