NuLook’s “…Still News” review

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After much anticipation, NuLook finally delivers to fans and critics alike their new album titled, Still News. The Look remains the same except for the addition of guitarist, Ralph Condé. Arly, Gazzman, Fedler, Laporte, Alix Nozile, and Charnel remain the prominent “front” men, prompting many to wonder if Condé’s days are perceived “numbered” as he has amassed a “musician for hire” reputation lately.
NuLook quieted many with their freshman albulm “Big Mistake”, a reminder to those left behind in the now extinct “Dzine” that demoting Arly was their biggest MISTAKE ever. Time has vindicated Arly and those that soon followed him to NuLook. Will the critics be so kind to NuLook the second time around. Time, again, will tell as it has always done. Consequently, I had to take my time to listen to NuLook’s sophomore album to let it speak for itself. With time, will it merit being “…Still News”. Time will tell as it always has done!
In the meantime NuLook is “…still News” as the controversies continue to brew with one HMI personality so far claiming credit for penning lyrics without being given credit. Is he a parasite, does he have legitimate claims or is he a desperate soul trying to impress an ex-girlfriend, misleading her to believe that he penned “souvenir” for her.
A bigger controversy is the one that insiders are trying to fuel by pitting Gazzman against Arly. A cursory run through the album leaves many in search for a potential “HIT” from Gazzman as if his survival depended on it. I thought this was a team effort, but some are obviously keeping scores of “HITS” and so far Arly has netted 3 (“Why do you say you love me”, “Souvenir”, “Cookie”) while Gazzman registers nothing so far. May time prove to be kind to Gazzman as time always tell!

I know what you are probably wondering by now: what’s a review without a track by track synopsis. Here it is as it saliently unfolds:

PEDI CHELBE’W
Lead Vocal: Gazzman
Hook: Gad jan’w Pedi Chelbe’w (look for that to displace “biznis Pa’m” as the slogan of the moment

It delves into the age old inquiry about life. And if you were looking to NuLook for an answer, “Pedi Chelbe’w” dares to offer an answer, albeit with an existentialist color. Whether you think life is complicated or a game, you are all correct tin your perception of life as it is your reality. So don’t sweat it or you risk “Pedi Chelbe’w”. In spite of social pressures, the formula to retaining your “Chelbè” is simple. Abide by the following principles and you’ll be fine:
• “folk ou fè yon jan pou ou pa bay menti” (try your best to speak the truth)
• “fo’w respekté sak pa pou ou” (no cheating, no stealing!)
• “pa jan’m pale bagay ou pa konen” ( leave the tripotaj to Teledjol!)
• “pa fe jalousie nan moman sa’a” ( this is my time, no player hating!)
Musically speaking, it is indistinguishably NuLook with a prominent Horn section throughout. They show a lot of confidence in Ralph Condé, he gets the guitar solo on the opening track and he makes a lasting impression.

WHY DO YOU SAY YOU LOVE ME?
Lead Vocal: Arly Lariviere
Hook: If you really love someone

A very seductive voice preambles the song with “this is sick”. Indeed, this Arly guy is sick with the creative bug. And he infects every woman within auditory distance. He is not helping the masculine cause at all. It started with “You and I” and you knew the purity of the emotions announced a romance with the fans with no end in sight. It wasn’t a romance that started with “a diner and a movie.” There was actual courtship ( a lost art!) with memorable rendez vous at “Avenue de la passion”. As with all relationship, troubles start to surface in “loving you”. But with “why do you say you love me?”, the plea is for forgiveness tainted with a little faith/trust. If he’s guilty , it’s a past that incessantly haunts him. With “why do you say you love me?”, it’s a past that will keep haunting him for decades to come. This guy is made with the same fabric that legends are woven with.
This guy rivals Alan in his sleep. If there’s one wholesome musician in the industry, it’s got to be Arly.

STE. CECILE
Lead Vocal: Gazzman
Hook: Nou pa jan’m gen tan

This could have well been retitled “Nou pa jan’m gen tan” or “la vi mizisyen”. A musician’s life is one of sacrifices in spite of the perceived glamour. There’s no time for family, to spend holiday at home in the company of loved ones, not even Valentine’s Day. Small wonder Arly has to plea for understanding and forgiveness.
This is NuLook at its heaviest (konpa-a lou vré) juxtaposing Konpa with religious symbolism. Laporte’s guitar riff commands attention, the horn section delivers and it wouldn’t be fast tempo without the addition of Gazzman strength of vocal.
It’s been a while since a “saint” was paid tribute to in a song with a mainstream appeal. As with much in Haiti, religion’s influence can never be underestimated although the new generation has very much detached itself from it, safe for doing the yearly “chanpèt” tour. This is very reminiscent of System Band

GRAN DEPANSE
Lead Vocal: Gazzman
Hook: Gran depanse ( will need help live…)

This could not be song by anyone else but Gazzman…Well maybe Kino. They both made a virtue out of bragging. This is a pompous song but it fails to be pretentious musically. I couldn’t even come up with a memorable “hook” from the song.
Just think of the elements that made “cesar” of “System Band” a hit. Most of those elements were lacking. Think of “Bisnis Pa’m” of Djakout. There’s a definite transition that get a roomful of people impatient, a transition whose delivery sends everyone into a frenzy. It there ever was an orgasm to be had during a dance it’s when “BIsnis Pa’m” transitions into Regi’s solo at the 5min00sec mark. And for those that love multiple orgasm the second one would be at the 5min50sec mark.
“Gran Dépansè” was almost monotone with an almost imperceptible transition from the intro to solo to chorus to finish line.

SOUVENIR
Lead Vocal: Arly
Hook: doesn’t need one

Makes you wonder which was written first: “why do you say you love me?” or “souvenir”. Is the woman in “why do you say you love me?” pissed off because he’s still immortalizing another in “souvenir”, hence finding substance to pester him about. Is he giving her reasons to doubt his motives, cause he has yet to let go of another and the “souvenir”. With this scenario there are 2 women involved, the past of “souvenir” and the present of “why do you say you love me?”
Or is it the case that she had stopped “loving” him and moved on, in which case it’s the same woman being mourned in “souvenir” and the one he pleads to in “why do you say you love me?”.
Either way, it’s good to know I have 2 a propos songs in my Konpa library to resort to, should I ever have a need…When poetry fails, Arly to the rescue!

YO
Lead Vocal: Gazzman
Hook: Sé an lidé’w sa yé

It’s a remake that has been featured on a prior album. It has received a make-over but somehow I am not much into “manjé chofé”. Try as I did, I couldn’t get into it. I give NuLook credit for their attempt to highlight that the tribute to its loyal fan base was so important it needed to be reiterated into a studio album. It’s a tribute with a lot of energy.

YOUNG BLOOD
Lead Vocal: Gazzman
Hook: Jèn yo santi…

This one is penned by Gazzman himself with no help from Arly Critics will be well advised to note that Gazzman is not illiterate and he can write. Ironically, this is NOT a “Gazzman” song. The melody is slow enough to afford you time to think as you listen. If you were wondering where the socially conscious artist had gone, this is a melodramatic reminder form Gazzman that the plight of Haiti’s youth bears heavy on his conscience. Here’s a call from him to us all to answer the call on behalf of the young ones to help them fulfill the promise of their potential whether it is to reach the height of doctors, lawyers, Pele, Micheal Jordan, Beyonce, Gazzman, Arly and even PIDOUS…(I couldn’t resist!)

COOKIE
Lead Vocal: Arly
Hook: it’s Arly, no need for hook but “Nan domi ou fè’m delala” is very catchy

I don’t know if the album was sequenced by design but this song is well placed to follow “Young Blood”, an appeal from Gazzman to nurture the youth’s future. And what’s more destructive than premature dissolution of a young girl’s innocence. Such is the subject of this song. This is an issue that has tacitly plagued the country, leaving teenage girls “ à fleur de l’ age” (at the tender prime of youth) prey to older men with means to “buy them off”, sometimes even with their parents consent.
“Cookie” is a forbidden fruit whose fortune is to be fortuitously loved by an older man who elects to suffer/love her from a distance and in silence less it would be “lanmou a contresens”( love that is counterintuitive/doesn’t stand the test of reason). What is love if it doesn’t inspire growth, if it extinguishes dreams and aspirations!
I suspect there will be more to come as he pledges to not give up…perhaps he’ll wait till she reaches the age of maturity.

MONTE MOUN
Lead Vocal: Gazzman
Hook: Unsure

This is one of those senseless song that for whatever reason becomes a hit. I just don’t see myself calling out “cherie, vini’m monte’w” or “cherie an’n al fè yon ti lit sauvaj” as Gazzman entices.
Ladies if he ever refer to “IT” as “monté moun”, you’ll know to refer your gratitude to. can’t wait to see the video. Nulook might be onto something…

FANM IDEAL
Lead Vocal: Ralph Condé
Hook:

Ralph carries his signature wherever he goes. In Tabou it was the same thing. If you are listening to this track by itself with no prior knowledge of the source-album, you’d be hard pressed to know that it was NuLook, except for the reference to “NuLook wap fè News” at the 2min44sec mark.
The fan base that NuLook is trying to appeal to is steadfast in its support for T-vice, Carimi, Dega and the likes. So Ralph needs to go through the NuLook boot camp and earned his badge as a NuLook musician. When in NuLook, be NuLook!

Le COMPAS
Lead Vocal: Gazzman
Hook:
This track announces the coming of KonpaDirek’s 50th anniversary on July 26,2005. As the golden anniversary knocks, who’s there to answer the call? Gazzman didn’t miss a beat to reply and say: Nan moman’ an papa, nou mem NuLook nou pansé pou tout Djazz yo la wi”…
Can anyone guess how many “50th anniversary” festival there will be this summer? The winner must enter their answer by Jan 15th. Opa can you run the contest?

 

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Dug G

Jean Hubert VALCOURT, connu sous le nom de Dug.G, est né le 10 Septembre 1982 à Port-de-Paix. Animateur de radio, en Juillet 1999, il réalisera une émission musicale « Rap’Rocher » sur les ondes de la « Planèt Kreyòl » afin de promouvoir le rap créole. Cette émission fut l’une des plus écoutées de son époque. Rappeur du groupe « Rockfam Lame a », son pseudonyme Dug.G vient du prénom de son père Duguay, et le G de GRAND en référence à sa vision.

Fils ainé de Duguay Michel VALCOURT (photographe, présentateur de radio, électricien et ancien directeur du Bureau de L’EDH (Port-de-Paix) et du Service National d’Eradication du Malaria (SNEM), ancien président de Scout (Capois La Mort) et de Croix Rouge Haïtienne (Nord-ouest)) et de Margarette Eugène VALCOURT (dactylographe secrétaire de bureau), ils sont au nombre de cinq (5) enfants nés de cette union. Dès l’âge de 12 ans, son père étant paralysé, Dug.G et ses deux (2) frères et deux (2) sœurs furent élevés par leur grand-mère et leur courageuse mère, prête à se sacrifier pour le bonheur de ses enfants.

Marié puis divorcé, il est le père de deux enfants : Sael (garçon) et Carenne (fille) qu’il adore énormément.

Carrière et Influence

Ancien élève de l’école des Frères de l’Instruction Chrétienne Saint Joseph de Port-de-Paix, il se passionnera pour la radiodiffusion et la musique, notamment le rap. Et, dès son plus jeune âge, cette dernière influencera positivement sa personnalité.

Son père, très strict, ne lui avait pas permis de faire du rap. Admis en secondaire au Collège Notre-Dame de Lourdes et au cours des élections scolaires, on fit la découverte de son talent de rappeur alors qu’il n’était qu’en classe de 7ème Année Fondamentale. Après sa prestation, il a été retenu par le groupe « Cosmic Rap Boys » composé des jeunes du Collège. Son père étant malade, sa mère lui avait défendu de faire de la musique, mais, en leur absence, il répétait à la maison avec d’autres amis de sa classe. Sa toute première aventure a été éphémère vu qu’il était contraint de laisser le groupe en raison des exigences de sa mère.

Avec Lova Man et Young MC, il a fondé son second groupe « Lova Man And His Crew » qui fut très populaire à Port-de-Paix. Malheureusement, ces amis ont dû laisser le pays en raison de leurs études universitaires aux USA. Il a fait de nombreuses tentatives afin de le recréer, mais c’était en vain. Et finalement, il a créé « OSMOZ » avec Alkali, Fenix et Snoopy. Malheureusement, Dug.G et Snoopy ont été contraints de rentrer à Port-au-Prince afin d’entamer des études universitaires. Voulant suivre les traces de son père, il avait tenté d’intégrer la radiodiffusion et a débuté comme opérateur à la radio 4VTS à Port-de-Paix. Ensuite, il a Co-animé « Etincelle Show » en compagnie de Gregory Poitevien sur la radio Etincelle.

A Port-au-prince, il connaitra son plus grand succès dans le monde du rap créole. Présentateur vedette de « Rap’Rocher » sur les ondes de la radio « Planèt Kreyol », il a grandement contribué avec d’autres animateurs, MC et beat makers au rehaussement du rap Créole à la fin de 2004, dû à une carence de production. Dès lors, il s’est lancé définitivement dans le business musical. Avec Knaggz et d’autres amis, ils formeront le groupe RockFam Records et Entertainment afin de promouvoir le rap créole. C’est ainsi qu’a débuté son aventure avec RockFam lame-a.

En 2009, il a participé au film « les talents de la rue » sous le pseudo de « Kenny ». Produit par Robenson Lauvince, ce film relate l’histoire d’un groupe de jeunes talentueux rappeurs ayant passé la majeure partie de leur temps à se faire insulter pour leur musique. Puis, un jour, ils ont rencontré un mécène qui leur a ouvert la voie du succès.

En Juillet 2011, il y eut le divorce entre Dug.G et Rockfam Lame a. Et au cours de la même année, il montra le chemin de la réconciliation en s’affichant avec l’un de ces plus grands opposants musicaux Izolan. Ce fut un grand pas vers l’unification des mouchoirs Noir et Rouge, symbole de liberté.

Son parcours musical

Au début de 2005, le Rap créole a pu connaitre un nouvel essor. Co-fondateur du groupe Rockfam Lame a, Dug.G s’était imposé comme l’un des géants du mouvement rap en Haïti. Il était l’un des figures emblématiques du groupe et l’un des rappeurs les plus populaires. Il a pu réaliser trois albums avec le groupe et a pu collaborer avec beaucoup d’autres rappeurs haïtiens en Haïti et ailleurs.

Il fut le président de DHAC Record’s pour la section Haïti, label qui a produit le tout premier album de RockFam en 2007 « Saw paka konprann ». Il a pu participer dans cinq (5) meringues carnavalesques du groupe et a pu contribuer également au succès lors du carnaval de 2009. Avec ce groupe, il a connu beaucoup de succès tant qu’en Haïti qu’à l’étranger pour ses diverses participations aux concerts et festivals (Rap Rocher, Indepenpance festival USA, Compas Fest. USA, Festival Immaculée etc…). A noter que le groupe est très réputé pour ses performances en live.

En 2009, il diffusa son tout premier vidéo-clip en solo de son hit « Men Vibe la ». Ce dernier a connu un succès phénoménal. Et en Décembre 2010, il fit la vente signature de son premier album solo « Kenbe m si w kapab », l’un des plus populaires de l’époque, avec des hits tels :
– Men vibe la
– Jou m pata la (feat Gazzman couleur)
– 10 goud papye
– Tankou manman

Juillet 2011 marque le divorce entre Dug.G et Rockfam Lame a. Et, au cours de la même année, il montra le chemin de la réconciliation en s’affichant publiquement avec l’un de ces plus grands opposants musicaux « Izolan ». Ce fut un grand pas vers l’unification des mouchoirs Noir et Rouge, symbole de liberté.

Assoiffé de musique, en aout 2012, il produira son premier mixtape dont le titre vient de son tout premier succès solo : « Men vibe la ». Il a redoublé de vibe avec entre autres:
– 10 goud papye [remix](feat : DRZ, Abojah, K-libr)
– All my zoe (feat : O-Gun)
– Kon’n sa wap di [Lib kolabo] (feat : Skellet)
– Kenbe M’ Si W’ Kapab (Remix) [feat. Jawes, Wendyyy, Positif & Steves J Bryan]

En attente de la sortie de son second album solo, Dug.G produira un second mixtape. En Juillet 2013, à moins d’un an, il sortira le « 2.0 Reloade Mixtape » :
– I dont like
– Enstwi mantal
– PIWO Cypher
A la surprise de tous, le 19 Juin 2014, Dug.G et Bricks (Barikad Crew) produiront l’une des musiques les plus écoutées de l’année « Mafia Blood », annonçant la sortie prochaine de second album. Et, le 22 Novembre 2014, il diffusera un second morceau à succès « M bezwen yon zam ».

La vente signature de son second album « Bon Komisyon : Dugmatiste 2 » est prévu pour le 13 Décembre 2014.

Dug,G Producteur

Afin de renforcer la promotion musicale et la promotion de nouveaux talents, il a mis en place une maison de production musicale :
– PIWO Records et Music Group
– PIWO Manufacturing
En tant que producteur exécutif, il a contribué à la sortie de nombreux albums, mixtapes et maxis de nombreux artistes :

Artiste Mixtape/Album / Compilation
LIB KOLABO The RE-UP mixtape
Sak paw se pam mixtape
DJ NG Mix Pi move mixtape
DJ Tony Mix Na pale mixtape
Na pale mix
ASIZ Kamasutra mixtape
BLAY Z Jis pou trip mixtape
DRZ La voix de dieu album
Jean Bernard Thomas Yon lòt koulè album
Gandhi 1er Kilè li ye compilation
Ed Daliriks EDVOLUTION mixtape
DAILAND Crew Dailand Crew is back album

De plus, il a créé de nombreux sites d’internet afin de renforcer la promotion du rap créole :
www.hiphop509.com
www.piworecords.com
Actuellement, Dug.G anime l’une des émissions musicales télévisées de tendance rap créole les plus regardées sur la chaine 2 « Storm TV ». Il offre l’opportunité aux autres artistes de présenter publiquement leur production et à son public la possibilité de les découvrir.
Dug.G ne compte plus s’arrêter et ses devises sont : Kenbe m si w kapab ! et San Kanpe !!!

×
Dug.G – Mwen Bezwen Yon Zam Prod.by Soldado Razo
DugG
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Wyclef

LYRICIST. SINGER. MUSICIAN. PRODUCER. POET. SONGWRITER.

The music that Wyclef Jean has written, performed, and produced — both as a solo superstar and as founder and guiding member of the Fugees — has been a consistently powerful, pop cultural force for over two decades. In 1996, the Fugees released their monumental album The Score, which inspired notoriously prickly rock critic Robert Christgau to write: “so beautiful and funny, its courage could make you weep.” The album, created in Wyclef’s studio in his uncle’s basement in New Jersey, hit No. 1 on the Billboard chart, spawned a trio of smash singles (including their indelible reinvention of Roberta Flack’s 1973 ballad “Killing Me Softly”), and is now certified six times platinum. But Wyclef, a child prodigy with a wealth of musical influences from jazz to classic rock to reggae, resisted the pressure to duplicate the sound and style of that masterwork. Instead, he launched himself as a producer and solo artist whose work drew from an innovative and eclectic palette that included elements of pop, country, folk, disco, Latin, and electronic music.

 

“I just keep moving,” he says today. “If I didn’t keep moving after The Score, y’all wouldn’t have had the biggest pop song of all time.” Wyclef is referring to Shakira’s chart-topping single “Hips Don’t Lie,” which he co-wrote and is featured on. That 2006 blockbuster climbed to No. 1 in 20 countries including the U.S. — a crowning achievement atop a nearly unprecedented run of hits that include Wyclef’s own “Gone Till November,” “Ghetto Superstar” (Pras feat. Wyclef Jean), Carlos Santana’s No. 1 single “Maria, Maria” (featuring Jean and Product G&B) and the late Whitney Houston’s “My Love is Your Love.” “The only record that captures Whitney, her daughter [Bobbi Kristina], and Bobby Brown all on one song,” Wyclef says of it.

Wyclef has been rewarded for his creativity and adventurousness with three Grammy Awards, a spot on the cover of Rolling Stone’s special “Top 50 Hip Hop Players,” and the opportunity to make music with such legends as Michael Jackson, Queen, Mick Jagger, Paul Simon, Earth, Wind & Fire, Kenny Rogers, and Tom Jones. As a solo artist, he has released six albums that have sold nearly nine million copies worldwide, including his 1997 debut The Carnival and 2000’s aptly titled The Ecleftic: 2 Sides II a Book, which even turned wrestling superstar/action hero The Rock into a pop star with the international hit single “It Doesn’t Matter.” Through it all, Wyclef kept an ear cocked for new talent. He helped launch Beyoncé´s career with Destiny’s Child’s early hit “No, No, No.”

While it’s been six years since his last studio album, Wyclef has not abandoned his dedication to sonic excursions. His new album, the upcoming Carnival III: Road to Clefication, features contributions from Afrojack, Emeli Sandé, and multi-platinum DJ/recording artist Avicii. In fact Avicii is responsible for Wyclef’s new album’s title. “It’s a nickname he gave to me,” he explains. “We were in Stockholm recording and he said, ‘We need some ‘Clefication.’ Now when I’m in the studio with other producers from his generation, they’ll say, ‘Yo we need some ‘Clefication’ on the vocal before I swag it up.’ It’s the human application of music.”

 

The first product of Wyclef and Avicii’s dynamic chemistry, the reflective electro-acoustic ballad “Divine Sorrow,” instantly blew up on YouTube when the lyric video was posted last November, racking up four million views and reminding people that Wyclef Jean can still astound people with his music. When an era-defining superstar takes time between albums, people often wonder if the artist has perhaps retired, but Wyclef has never stopped making music. “Every day when I wake up, I go into the studio and record,” he says. “There’s always a guitar and a piano nearby. I’m always writing, that’s my survival. I don’t go to a therapist. My therapy is when I pick up my guitar and sing.”

One couldn’t blame Wyclef for wanting to take time away from the spotlight given the whirlwind of press, good and bad, he received after announcing that he was going to run for president of Haiti in 2010, the summer after a massive earthquake killed over 200,000 people. “It felt like something I needed to do at the time,” he says. Wyclef flew home to help and saw the devastation firsthand. “Haiti was in dire need and I wasn’t going to go down in history as just another musician who did nothing and just hid behind the songs,” he says. Born in Croix-des-Bouquets before moving to New Jersey at age nine, Wyclef has always kept very close ties to the Haitian people and continues to provide aid and consultation. His love for his native country was reciprocated by many and questioned by others. “I stepped into the fire,” he says. “People took shots at me, of course. But it’s better to be right than popular. And history will always reveal the truth. You can’t live for the fakeness or you will just be erased from time.” However, the fury and the frenzy of the election left him depleted. “When I got back to New York I was out of my mind,” he says. “I had just had a really tense experience. I thought I could change policy and legislation there, but coming back to America — yo, it hit me. I was like, ‘Man, what am I gonna do?’ I was at the height of my musical career. Nobody could stop me. I was moving like a bullet as a producer.”

“Divine Sorrow” addresses the experience, in part, in its lyrics: “Dearie blossom I’m going down to old rock bottom / I know the love in your heart was true / I thank you for the joy that follow.” “For me, ‘Divine Sorrow’ was like my returning hymn to the world,” Wyclef says. “We embarked on a small European tour when I got back and, based off that, I decided I was going to go in…. and just start cutting some music. I felt the bug. The album bug.” (He also got the acting bug, appearing in a story arc on the hit ABC series Nashville in 2014.)

As big a comeback as “Divine Sorrow” has proven to be, one should not count on Carnival III: Road to Clefication being an entire album full of ballads. “Do I have anything for the clubs?” he asks. You’re talking to The Carnival Man! I’ve done the biggest dance records of all time! We plan to put them on the dancefloor more so than ever. I’m also working with DJ Khaled. We go back 20 years. The chemistry is insane. We know people want that dancefloor bounce from us — that hip hop thing.”

Which leaves only one question. How long can Wyclef keep it up now that he’s back at his old velocity? “The forties are the new youth of hip hop,” he says with a laugh. And while he hints that the Fugees crew are all on good terms, and he doesn’t rule out a future reunion with Lauryn Hill and Pras, right now, Wyclef is trying to reckon with his past and write a new chapter. “The music I’m making, it’s sounding like the ‘90s meets 2017,” he says. “It’s very authentic and all about the vocality, making people feel and reminisce off of that sound they love but combining it with new sonics.” The release of his latest project, J’ouvert, is reinforcement of that sound aesthetic and builds excitement for the long-anticipated Carnival III, coming this summer.

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Rutshelle Guillaume

Biography of Rutshelle Guillaume …
Born in Port-au-Prince on July 28, a family of three children, Rutshelle GUILLAUME is the only daughter of her Father. At the age of five, she began to sing at the church of God of Boulard directed by Pastor Louis DESTINVAL. His passion for music takes him to 19 years, in the group “REL”, a musical formation composed for the most part of young musicians of the National School of … Arts (ENARTS). She was able to meet her husband, Walner O. Registre (Doc wor) band leader of the group Rèl, father of her beloved daughter (Ruth-Warly O. Registre). Rutshelle is one of the most listening and charming women’s voices on the air today. Her opus “KITE M KRIYE” is asked and asked again in the shows to which she is invited to produce. This song, according to her, comes out of the particular to reach the social. Rutshelle, Philosopher of formation, joined the Ecole Normale Supérieure (ENS) of the State University of Haiti (U.E.H) in 2008. After completing her studies, she is currently completing her research in order to obtain her degree in philosophy. – Former Professor of Grammar and Philosophy at New Bird College. Rutshelle Guillaume currently works as: Protocol Officer attached to the Kiosk of the Ministry of Haitians Living Abroad (MHAVE) at TOUSSAINT LOUVERTURE International Airport. – During a training on vocal techniques organized by James Germain, Emmeline Michel and Stevenson Théodore at the Fokal in 2011, his performance on stage enabled him to surprise Yole DEROSE, in search of young female talents for his project “Haiti Heart of Women “. She chose to be part of her project. While awaiting the release of her album, she presents to the public the opportunity to discover it in her song titled “KITEM KRIYE” which is video-clip. In addition, Rutshelle had already participated on numerous projects with several artists and musical groups, such as: – Roosevelt SAILLANT, known as BIC Tizon dife: “Mesi ti cheri doudou” a song from his latest album entitled “Kreyòl sings Kreyòl Konpran” . Doc Filah: “Trèv pou amoni”, a song from his album “Akrilik sou twal rezon” – Eunide Edouarin dit (Eud) and Aristor Oberson says (Dad Crazy): “Fòk mwen fete”, a song of their album “Limyè wouj” – Jean Bernard Félicien dit (Hurricane) and Valkency Décembre dit (K-lib): “yon lide”, a song from their album “Knock Out” – Barikad crew , konplèks, bafon plafon “, songs from the album” RED “. To name but a few

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Neefah Song
Biography

Prior to launching her musical career, Neefah got her start by auditioning for the Brooklyn High School of the Arts; a specialized arts school where she majored in vocal music. In addition, she took Music Theory for she believes reading and writing music should be a very important factor in any musicians training.

Neefah excelled in the program and later attended the AMDA College and Conservatory of the Performing Arts where she graduated in 2006 with a degree in Musical Theater. She also graduated from the Barbizon School of Modeling the same year. Upon both graduations, Neefah began pursuing music full-time.

Stephanie “Neefah” Fontus was born on February 21st in Brooklyn, NY to a Haitian mother and a Haitian and Bahamian father. Her father, a professional bassist didn’t give her much support or encouragement when it came to music and her mother supported his decision because they didn’t want their daughter to make a career in music instead they encouraged her to complete her studies and have a normal and stable life and career. Neefah heeded her parents’ advice however it was in school where she actually found the drive and necessary encouragement that she needed and it came from her music teacher. Through her teaching and mentoring, Neefah finally felt secure enough to pursue her dream in entertainment.

Neefah went on to perform at some very prestigious events and places such as the United Nations, FAME on 42nd Street (Broadway Musical), VH1 Hop Hop Honors where she opened the show, she sang the national anthem at the Yankees’ stadium for the Mets twice to name a few.

With her career looking bright Neefah still felt the need to please her parents and obtain a degree in criminal justice but her heart still remains in music.

Neefah’s musical training and experience may be outside of the Haitian Music Industry’s (HMI) realm, she is no novice to the industry. Neefah’s collaborations include Dola Mizik, Clinton Benoit, Madman JP and Charlot Maitre on lead vocals.

Neefah’s new single entitled “Nobody but you” is officially released and Neefah is currently in the studio adding the finishing touches to her album slated for a Summer release.

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Written by Cheyna Pierre

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Yves Joseph

Yves Joseph

Background vocal

A Native of Petion-Ville, Yves Joseph, better known as Fanfan, is one of the original members of the band. Fanfan started with the band in 1968 playing the congas. In the 80’s, he moved to the front as an additional vocalist in support of Shoubou. The two have formed an impressive singing duo for the last 45 years. Fanfan is, undoubtedly, one of the most important and versatile members of Tabou Combo. Apart from being the band background vocalist, he’s also the band’s manager and main songwriter. Fanfan is a graduate (Cum Laude) from City College with a major in International Relations and a minor in Education. In the Summer of 2000, Fanfan became the first Haitian artist to land an endorsement deal with a major U.S. company when he signed with LATIN PERCUSSION (LP). Fanfan said his most positive experience with Tabou Combo was when the hit single NEW YORK CITY was released. ‘It is a good feeling to hear your songs everywhere you go in Europe, in jukeboxes, major radio stations, and Clubs,’ said Fanfan. ‘The attention you get, the pampering and the fame is unbelievable…’

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Yvon Andre

Yvon Andre

Percussions/Vocal

It was in 1968 when then fifteen year old percussionist Yvon Andre, known to all as Kapi, became a member of Tabou Combo. Back then the young musician had to sneak out of his family’s home in Petion-Ville to play with the band due to the fact that his parents were determined not to let their son become a musician. However, his love for music was too strong to be stopped. Kapi said he could have become anything, but he chose to be a musician because he loves music. It is that love that has motivated him to stay with Tabou Combo for so many years. Kapi is not just a mere percussionist; he’s also a pianist, vocalist, and songwriter. Kapi has penned many of Tabou’s hit songs. He has also written most of the band’s Spanish songs including FIESTA and PANAMA QUERIDA. The latter he co-wrote with Fanfan. Kapi said his most memorable moments as a member of Tabou was in 1998 when he traveled to the Ivory Coast to receive a lifetime achievement award on behalf of Tabou Combo, and again when RFO (French radio/television) honored Tabou Combo in Martinique; those, he said, were historical moments.

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Tabou Combo

BIOGRAPHY

“Rhythm is the essence of Tabou Combo,” says Tabou Combo’s co-founder and ex-drummer Herman Nau. The infectious rhythm of Haiti’s national dance music, Konpa (con-pah), has propelled the country’s preeminent dance band around the world. The 12 members of the band have covered many territories since leaving Haiti and relocating to New York City in 1971. By that time, Tabou had already established itself as Haiti’s number one group, and as the “Ambassadors of Konpa.” Tabou Combo now has worldwide fans and followers from London to Paris, Holland, Switzerland, Japan, South America, throughout the Caribbean and in North America.

It is easy to understand why Tabou Combo’s relentless and high-energy style of Compas dance beat knows no language barrier. Singing in English, Spanish, French or their native Creole, Tabou serves a hot mix of grooves and textures with roots from around the world. You will hear a strong dose of the Dominican Republic’s national dance music, meringue. In addition, there is Haiti’s dance-till-you-drop carnival music, rara, the hypnotic drums of Haitian voodoo rituals. Add to that quadrilles and contra-dances from Haiti’s French colonizers and funk from the American soul era to James Brown for good measure. The mixture of all these influences makes for a serious bass line that brings new meaning to the word bottom; layer upon layer of accents courtesy of drums, percussion and congas; the constant intertwining of two guitars with the feel of West African Soukous topped with bright piano riff and the brassy sound of a 3-man horn section.

Tabou Combo got started in 1968 in Petion-Ville, a town just outside Port-au-Prince, by Albert Chancy and Herman Nau and some friends, all in their teens. They began by naming themselves “Los Incognitos” because they were unknown at that time. They changed to Tabou Combo in 1969, in order to bear a name closer to the Haitian culture. That year, the band won first prize in a televised talent contest, gaining a national reputation in Haiti, and by 1970 it was one of the island’s leading bands. Then the Chancy’s parents stepped in, and Albert, the band’s guitarist, and original, leader was sent to college in Montreal and gave up music. The band dissolved and its members drifted to the United States. Early in 1971, however, an unexpected meeting led to a Tabou reunion with rhythm guitarist Jean-Claude Jean as the leader and the band has been together, with a few changes, ever since.

Employing the repetition and breaks of Afro-American gospel music, TABOU COMBO entices the listener to become listener and dancer. Almost four decades after TABOU COMBO’s establishment, the band has audiences dancing everywhere from concert halls to the streets and in nightclubs around the world. Says Fanfan, the band’s background vocalist and main songwriter, “We want people to dance and forget their sorrows.”

There is no doubt, the music is made for dancing, but Tabou also features lyrics that focus on social issues of the day. For example, the lyrics from the title cut of the group’s 1991 release ZAP ZAP deal with uplifting the image of Haitian people in the wake of bad press connected to the AIDS epidemic.

It was 1974 when the band captured Europe’s attention with its million-selling hit single NEW YORK CITY. Tabou steadily has been building its international followers ever since. The 1989 release, AUX ANTILLES (The Antilles), topped European and Caribbean charts for six consecutive weeks. AUX ANTILLES also won Best Album for Haitian Dance Music at the 1991 1st Annual Caribbean Music Awards at New York City’s famed Apollo Theater. Tabou’s release, KITEM FE ZAFEM (Let Me Do My Things), was voted among Beat Magazine’s Best of 1988. In 1989, KITEM FE ZAFEM, along with ZAP ZAP were used by the film director Jonathan Demme in his movie MYSTERY DATE. The song JUICY LUCY was chosen by French movie maker Maurice Pialat for his movie POLICE (1985). In 2002, world known guitarist Carlos Santana recorded the song MABOUYA (Foo Foo) on his album SHAMAN.

After traveling around the world with Tabou, Fanfan says he has found that people everywhere are all the same and they all love music. TABOU COMBO seduces the people with rhythm that does not let go. Konpa’s unrelenting dance beat is contagious and there are plenty of witnesses. Many of the thousands of TABOU COMBO fans around the world eagerly will testify… that is if they can stop dancing long enough to talk!

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Dat7

Biography

Based out of Hollywood, Florida, Dat7 is a Haitian band with a style deeply rooted in the finest tradition of Compas Direct with Zouk and R&B influences. Dat7 came into existence in late 2014 when former bandmates and longtime friends, Ricot Amazan (conga drums), and Eddy Viau (percussionist), join forces and created the band. They were later joined by Vladimir Alexis (drums), and Olivier Duret (vocalist), to complete the ensemble. Dat7 has created quite a stir since releasing their debut album VERDICT in October of 2015. Having been awarded the “Revelation de L’année 2015” award and the Haitian Academy Award in 2017, Dat7 continues to position itself as one of the most notable new bands, especially for their superb live performances.

Je-veux-M’envoler

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Almando Keslin

Legendary Haitian drummer Almando Keslin died May 21.

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Anthony Moise
In Memory of

Anthony Moise

September 13, 1940 – August 30, 2013

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Dade

Three Haitian hip-hop singers, another band member, and the driver of the group Barikad Crew died in a terrible car accident. According to News reports, they were electrocuted and burned beyond recognition when a high tension electrical wire struck their car after hitting a divider. The following day, a long time girlfriend of one of the singers, K-Tafalk, committed suicide 24 hours after the death of her longtime boyfriend.

In Haiti you will hear and watch music from Barikad Crew’s album on an almost 24-hour basis on the radio and television. Young people from all over the country are swarming to the scene of the horrific accident which took the lives of 5 people, including 3 members of the Barikad Crew, the most popular rap group in Haiti with record album sales, and a very loyal following.

In the seaside neighborhood of Carrefour, there were reports of young people attempting to throw themselves into the sea in desperation caused by the loss of the members of this group who meant so much to them. The fiancée of the lead member, Papa Katafal, who was several months pregnant has already committed suicide, and the mother of another group member is reportedly hospitalized and undergoing medical treatment due to the shock of hearing of her son’s death.

This accident is reverberating throughout Haiti, a country where hopes are easily dashed, and promises often broken. The Barikad Crew who had many plans, and were set to soon visit the Unites States, was believed to be the ones who would finally bring Kreyol Hip-Hop to the masses. Discussion groups on dozens of Haitian websites are full of nothing but expressions of shock and condolences.
The three singers amongst the 5 who lost their lives
Jean Walker Sénatus, aka K-Tafalk – Johnny Emmanuel, aka Dade- Junior Badio, aka Déjavoo
Also perished are the drummer Joe and a friend, driver Guichard.

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Déjavoo

Three Haitian hip-hop singers, another band member, and the driver of the group Barikad Crew died in a terrible car accident. According to News reports, they were electrocuted and burned beyond recognition when a high tension electrical wire struck their car after hitting a divider. The following day, a long time girlfriend of one of the singers, K-Tafalk, committed suicide 24 hours after the death of her longtime boyfriend.

In Haiti you will hear and watch music from Barikad Crew’s album on an almost 24-hour basis on the radio and television. Young people from all over the country are swarming to the scene of the horrific accident which took the lives of 5 people, including 3 members of the Barikad Crew, the most popular rap group in Haiti with record album sales, and a very loyal following.

In the seaside neighborhood of Carrefour, there were reports of young people attempting to throw themselves into the sea in desperation caused by the loss of the members of this group who meant so much to them. The fiancée of the lead member, Papa Katafal, who was several months pregnant has already committed suicide, and the mother of another group member is reportedly hospitalized and undergoing medical treatment due to the shock of hearing of her son’s death.

This accident is reverberating throughout Haiti, a country where hopes are easily dashed, and promises often broken. The Barikad Crew who had many plans, and were set to soon visit the Unites States, was believed to be the ones who would finally bring Kreyol Hip-Hop to the masses. Discussion groups on dozens of Haitian websites are full of nothing but expressions of shock and condolences.
The three singers amongst the 5 who lost their lives
Jean Walker Sénatus, aka K-Tafalk – Johnny Emmanuel, aka Dade- Junior Badio, aka Déjavoo
Also perished are the drummer Joe and a friend, driver Guichard.

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Papa Katafal

Three Haitian hip-hop singers, another band member, and the driver of the group Barikad Crew died in a terrible car accident. According to News reports, they were electrocuted and burned beyond recognition when a high tension electrical wire struck their car after hitting a divider. The following day, a long time girlfriend of one of the singers, K-Tafalk, committed suicide 24 hours after the death of her longtime boyfriend.

In Haiti you will hear and watch music from Barikad Crew’s album on an almost 24-hour basis on the radio and television. Young people from all over the country are swarming to the scene of the horrific accident which took the lives of 5 people, including 3 members of the Barikad Crew, the most popular rap group in Haiti with record album sales, and a very loyal following.

In the seaside neighborhood of Carrefour, there were reports of young people attempting to throw themselves into the sea in desperation caused by the loss of the members of this group who meant so much to them. The fiancée of the lead member, Papa Katafal, who was several months pregnant has already committed suicide, and the mother of another group member is reportedly hospitalized and undergoing medical treatment due to the shock of hearing of her son’s death.

This accident is reverberating throughout Haiti, a country where hopes are easily dashed, and promises often broken. The Barikad Crew who had many plans, and were set to soon visit the Unites States, was believed to be the ones who would finally bring Kreyol Hip-Hop to the masses. Discussion groups on dozens of Haitian websites are full of nothing but expressions of shock and condolences.
The three singers amongst the 5 who lost their lives
Jean Walker Sénatus, aka K-Tafalk – Johnny Emmanuel, aka Dade- Junior Badio, aka Déjavoo
Also perished are the drummer Joe and a friend, driver Guichard.

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Ansy Derose

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